India’s strength lies in its civilizational diversity, its age-old tradition of ‘Vasudhaiva Kutumbakam’ (where the world is seen as one family) and no attempt to paint with a monochromatic brush can bring the real Indian canvas to life. Zohran Mamdani’s ideas – plural, liberal and invaluable – resonate with the core of a new India and make him stand out as a leader worth celebrating.
As friends, colleagues, mentees, and admirers gathered in Cambridge, Massachusetts, to celebrate her 80th birthday in November 2025, what became clear was that the accolades tell only part of the story and don’t explain why a roomful of people from across the world came to honour her.
The exhibition also sits in conversation with an earlier project co-curated by Hashmi and Walia, exploring the creative and political possibilities of South Asia through art and film. That curatorial lineage expands the meaning of this library project, situating it within a broader feminist and regional tradition of asking uncomfortable questions.
Mamdani represents a different era — one less interested in fitting in, and more in standing firm. Obama deflected when his middle name became a slur in the mouths of opponents. Mamdani pronounces his own name slowly until others get it right. Obama avoided being read through a Muslim lens. Mamdani says being Muslim, African-born, and South Asian is the story — not a liability.
As Aligarh Muslim University (AMU) continues to be under a lockdown enforced by the students protesting against India's Citizenship Amendment Act (CAA), the Vice-Chancellor is considering if shutting down the varsity is the only recourse left in the present circumstances
Artists from India and Bangladesh displayed their printmaking creativity despite India witnessing nationwide protests against CAA, NRC. The exhibition was organised to make people aware of printmaking and to further elevate the concept and application of this medium. They also shared rich heritage through their masterpieces at India Habitat Centre, New Delhi January 23-31.
