A web series on the love affair between a Hindu boy and a Muslim girl divided by the India-Pakistan border but united by the grief of losing their fathers in the conflict over Kashmir has generated a fierce public debate on Twitter in Pakistan
Homage to an Iconic Ray Film Whose Popularity Spans Generations and Cultures
The result was a phenomenal script with a stellar cast and a music which not only took the storyline ahead but also paused to reflect upon each moment. Satyajit’s rendition of the story has several of his beliefs reflected, including his anti-war stance, his love for performative arts, including various forms of classical dance, his love for history and regional history, amidst others, his stance against caste and class discrimination and oppression of the poor and the tyranny and subjugation of the ruling class
How a Russian-Jewish Bride Internalised Santiniketan: Arc of a Family History Book-Ended by the Russian Revolution and Indian Independence Across Three Generations and Three Continents
It is a neat division and the first part of 70 pages is the Kotia-Ketaki memoir. In the second section, Chandana picks up the narrative and weaves the micro family history of the Jonas family with the macro events of the late 19th century and her grandmother's journey that brought her to Santiniketan in the 20th century.
The ‘Pinny’ and the Past: A Bengali Summer Dress That Carries History in Its Threads
Today, the tape-jama survives on the margins of a rapidly changing marketplace. It is still found in local bazaars, though no longer a default festive purchase for children. Yet its significance lies beyond its material presence. The garment endures as a symbol of memory—of simpler times, of long summer afternoons, and of a cultural ethos shaped by resourcefulness and tradition. Its soft cotton folds carry stories of Bengal’s textile heritage, its artisanal practices, and its ability to absorb and reinterpret external influences. In doing so, the pinny becomes more than a childhood dress—it is a living archive of history and identity.
When a Language Dies: The Struggle for Cultural Survival of Bangladesh’s Lushai Community
According to the latest (2024) survey by the International Mother Language Institute, 45 languages have been identified as existing now in Bangladesh out of which there are 11 indigenous languages including Lushai (Mizo)—that have become critically endangered. Based on UNESCO data, a handful of languages which have made it to the endangered list in Bangladesh are in such a forlorn state that only 5-12 older folks from respective communities can still converse in them.
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Bangladeshi short film receives honorable mention at Prague film fest
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